The highly anticipated Design Council preview of the 2022 San Francisco Fall Show took place on Tuesday, October 11. Design Council members – and 2019 Show Vignette Designers – Cecilia Sagrera-Hill and George Brazil of SagreraBrazil Design kindly agreed to share their first impressions, and personal favorites.
Cecilia states: “There is always at least one piece at the San Francisco Fall Show, a piece that just simply takes your breath away and pulls at your heart strings. For me there are two so far: Lucy Glendinning’s Together I sculpture at Waterhouse and Dodd (left), the emotion in this piece is overwhelming. The other item that immediately caught my eye is the French Chinoiserie polychrome painted six-panel paper screen (right): the various scenes and storytelling around the exterior edge of each panel is something I have not seen before.”
George says: “My breath was taken away by the oversized, incredibly mesmerizing, abstract by David Leverett, entitled The Wound (1988), at Henry Saywell”.
Cecilia and George concur: “What we saw and loved this year are the various screens throughout the show. They are such a versatile piece, whether a room divider, behind a sofa, behind a headboard to create depth and be the artwork above the bed without having to hang it or simply as artwork either flat or folded. Their usage has endless possibilities. We love the idea of taking 18th century panels and transporting them to a 21st century high rise condominium – a space stripped of architectural detailing – to showcase the beauty of hand-painting and delicate detail work that can only be admired from close up. This series from Galerie Steinitz can be incorporated down a hallway to bring life to a transitioning space”.
“The 17th century Dutch Baroque polychrome painted and gilt leather 8-panel screen from Philip Stites is another showstopper”.
“At Galen Lowe, we spotted a beautiful 18th century Japanese Edo Period screen with colored medallions on a finely painted ground, each with a poem (left) and an equally stunning Japanese Meji Period three-circle screen (right)”.
“Lighting has endless possibilities – but when you stumble upon a beautiful 1950’s stylized sculpted hand grasping a circular section sconce – you can’t resist the texture, or the emotion of the grasping hands. You could place these in a beautiful contemporary space, but what if you paired them with a chinoiserie wallpaper to play off each other in a cozy space (a powder room perhaps)? A small and subtle tongue-in-cheek moment that make us all smile!”
“A great example of mixing eras is through accessories – at Hyde Park Antiques we discovered James Bearden, an artistic welder whose smaller sculptural functional pieces take center stage displayed upon antique Chinese marble top tables with antique mirrors above – just because one is contemporary/modern, and the other antique doesn’t mean they can’t live in the same home and live in harmony”.
Cecilia loves this “jewelry as art” from Kentshire: “Who wouldn’t want to wear these? I sure would!”
“Last but not least, there’s floor art – art that keeps your feet warm. Take a living room with modern/contemporary furniture and a pale color palette, mix in an antique one-of-a-kind area rug – art for your feet, and a perfect balance. Love the color palette of this Tony Kitz area rug”.
The 2022 San Francisco Fall Show will include many of the world’s most distinguished art and antiques dealers, offering an extraordinary range of fine and decorative arts and representing all styles and periods from antiquity to contemporary – American, English, Continental and Asian art, furniture and decorative objects, paintings, prints and photographs, books, gold, silver and precious metals, jewelry, rugs, textiles and ceramics.
2022 marks the 40th anniversary of the San Francisco Fall Show – our Ruby Jubilee! Rubies are thought to possess an inner flame, symbolizing passion, devotion and endurance. How apt for the longest running art, antiques and design fair on the West Coast, renowned and respected across the globe and a beloved and integral part of the San Francisco Bay Area’s art and design communities. The Show will embrace all shades of glorious red, celebrated in cultures around the world for extraordinary energy, romantic love and good luck.
We’re not the only ones “seeing red”. After returning from Milan Design Week, the editors of Architectural Digest declared tomato red to be this season’s “it color”.
This summer’s must-see exhibit is NYC’s Museum of Modern Art’s “Matisse: The Red Studio,” a small but spectacular exhibition that dissects one of the artist’s greatest early paintings. This show reunites — for the first time since they left the artist’s studio in the Parisian suburb of Issy-les-Moulineaux — all the surviving works that Henri Matisse depicted in “The Red Studio,” a painting whose seductive radicalness has attracted admirers since it entered the museum’s collection in 1949.
In the words of legendary icon of style Diana Vreeland: ”Red is the great clarifier – bright and revealing. I can’t imagine becoming bored with red – it would be like becoming bored with the person you love.”
Faience is tin-glazed earthenware made in France, Germany, Spain, and Scandinavia. It is distinguished from tin-glazed earthenware made in Italy, which is called Majolica, and that made in the Netherlands and England, which is called Delft.
Fauvism is a style of painting with vivid expressionistic and non-naturalistic use of color that flourished in Paris from 1905 and, although short-lived, had an important influence on subsequent artists, especially the German expressionists. Matisse was regarded as the movement’s leading figure.
Think of Fauvism as Impressionism that is taken to the absolute extreme with bolder colors and thicker brushstrokes (often applied straight from the paint tubes).
The ferronnière was a delicate jewelry item worn by women on the forehead which served to help hold hairstyles in place. It consisted of a chain with fine links – or a textile thread – usually with a single gemstone in the center. The name is derived from a painting, attributed to Leonardo da Vinci, named La Belle Ferronnière (from French: “the beautiful blacksmith’s wife”) currently in the Musée du Louvre in Paris, see below.
A festoon is a decorative element consisting of a wreath or garland hanging from two points. In architecture, a festoon is typically a carved ornament depicting an arrangement of flowers, foliage or fruit bound together and suspended by ribbons. The motif is sometimes known as a swag when depicting fabric or linen.
A fibula is a decorated fastening brooch which was used by the Romans to secure a robe on the shoulder. It is the ancient equivalent of a safety pin.
Filigree is a form of intricate metalwork used in jewelry and other small forms of metalwork. In jewelry, filigree is usually made of gold and silver, with tiny beads or twisted threads, or both in combination, soldered together and arranged in artistic motifs.
Fleur de Lis
The fleur-de-lis is a stylized lily that is used as a decorative design or symbol. Traditionally, the fleur-de-lis has been used to represent French royalty, and in that sense it is said to signify perfection, light, and life. Legend has it that an angel presented Clovis, the Merovingian king of the Franks, with a golden lily as a symbol of his purification upon his conversion to Christianity.
Fluting is a decoration formed by making a series of parallel, semi-circular shallow grooves running along a surface.
Fretwork is an interlaced decorative design that is either carved in low relief on a solid background or cut out with a saw. Most fretwork patterns are geometric in design. The materials most commonly used are wood and metal.
An ébéniste is a French term for a cabinet-maker, particularly one who works in ebony. Ébénistes make case furniture, either veneered or painted.
Egg-and-dart is a repetitive design, most often found on molding or trim. The pattern is characterized by a repetition of oval shapes, like an egg split lengthwise, with various non-curved patterns, like “darts,” repeated between the egg pattern. In three-dimensional sculpting of wood or stone, the pattern is in bas-relief, but the pattern can also be found in two-dimensional painting and stencil. The exquisite architectural fragment belongs to one of the decorative moldings of the Erechtheum, the building on the Athenian Akropolis that accommodated a variety of venerable cults and sanctuaries, circa 421–409 B.C.
The Empire style is an early-nineteenth-century design movement in architecture, furniture, other decorative arts, and the visual arts, representing the second phase of Neoclassicism. The style takes its name from the rule of the Emperor Napoleon I in the First French Empire. The previous fashionable style in France had been the Directoire style, a more austere and minimalist form of Neoclassicism, that replaced the Louis XVI style. The Empire style brought a full return to ostentatious richness.
Vitreous enamel, also called porcelain enamel, is a material made by fusing powdered glass to a substrate by firing, usually between 750 and 850°C (1,380 and 1,560°F). The powder melts, flows, and then hardens to a smooth, durable vitreous coating. The word comes from the Latin vitreum, meaning “glass”. Enamel can be used on metal, glass, ceramics, stone, or any material that will withstand the fusing temperature.
Encaustic painting, also known as hot wax painting, involves using heated beeswax to which colored pigments are added. The liquid or paste is then applied to a surface—usually prepared wood, though canvas and other materials are also used. Metal tools and special brushes can be used to shape the paint before it cools, or heated metal tools can be used to manipulate the wax once it has cooled onto the surface. Today, tools such as heat lamps, heat guns, and other methods of applying heat allow artists to extend the amount of time they have to work with the material. Because wax is used as the pigment binder, encaustics can be sculpted as well as painted. Other materials can be encased or collaged into the surface, or layered, using the encaustic medium to stick them to the surface.
Encoignure is a type of furniture located in a corner of a room. In French, it literally means the angle, or return, formed by the junction of two walls. Since the 20th century, the word has been mainly used to designate a small armoire, commode, cabinet or cupboard made to fit a corner.
An epergne is a table centerpiece, usually made of silver but can also be made of another metal, glass, or porcelain. An epergne generally has a large central “bowl” or basket, resting on three to five feet. From this center “bowl” radiate branches supporting small baskets, dishes, or candleholders.
A decorative plate used to conceal a functioning, non-architectural item – such as a keyhole, door handle, or light switch – for protection and decoration.
Egyptomania was the renewed interest of Europeans in ancient Egypt during the nineteenth century as a result of Napoleon’s Egyptian Campaign (1798–1801) and, in particular, as a result of the extensive scientific study of ancient Egyptian remains and culture inspired by this campaign. The grandeur and “exoticism” of its pyramids, temples, Great Sphinx, and culture have made this great civilization a recurring subject in architecture, film, art, and popular culture. During the 20th century Egyptomania reached a fever pitch in the United States: Howard Carter’s 1922 discovery of King Tutankhamen’s Tomb caused a nationwide craze, and Elizabeth Taylor’s portrayal of Cleopatra in the 1963 classic film inspired a new interest in ancient Egyptian fashion.
Delftware Delftware or Delft pottery – also known as Delft Blue – is a general term now used for Dutch tin-glazed earthenware, a form of faience. Most of it is blue and white pottery, and the city of Delft in the Netherlands was the major centre of production, but the term covers wares with other colors, and made elsewhere. Delftware includes pottery objects of all descriptions such as plates, vases and other ornamental forms and tiles. The start of the style was around 1600, and the most highly regarded period of production is about 1640–1740, but Delftware continues to be produced. In the 17th and 18th centuries Delftware was a major industry, exporting all over Europe.
Directoire The Directoire style takes its name from the post-Revolution period 1795–1799 when France was ruled by a government of Directors – the Directory. Directoire is characterized by Neoclassical architectural forms, minimal carving, planar expanses of highly grained veneers, and applied decorative painting. Many examples of design from this period carried on the Classicism of Louis XVI, but with greater restraint and incorporating many of the symbols of equality, fraternity and liberty associated with the Revolution. One of the most notable pieces of Directoire furniture was the day bed, inspired by ancient examples and made famous in the portrait of the celebrated beauty Madame Récamier, by artist Jacques-Louis David (see below).
Duchesse brisée A Duchesse brisée – “broken duchess” in French – is three piece French chaise lounge consisting of a set of hand carved armchairs or bergères (one generally smaller than the other) and a bout-de-pied, or foot rest that fit together to make a single seating unit. This Louis XVI style piece rose to popularity in the 18th and 19th centuries.
Demi-lune From the French for “half moon”, demi-lune refers to a a crescent or half-moon shape, as of the top of a piece of furniture.
Dada Dada or Dadaism was an art movement of the European avant-garde in the early 20th century. Developed in reaction to World War I, the Dada movement consisted of artists who rejected the logic, reason, and aestheticism of modern capitalist society, instead expressing nonsense, irrationality, and anti-bourgeois protest in their works. The art of the movement spanned visual, literary, and sound media, including collage, sound poetry, cut-up writing, and sculpture. Dadaist artists expressed their discontent toward violence, war, and nationalism, and maintained political affinities with the radical far-left. Renowned dadaists include Marcel Duchamp, Tristan Tzara, Max Ernst, Francis Picabia, Kurt Schwitters and American Man Ray (see below).
Daguerrotype The daguerreotype was the first commercially successful photographic process (1839-1860) in the history of photography. Named after the inventor, Louis Jacques Mandé Daguerre, each daguerreotype is a unique image on a silvered copper plate. In contrast to photographic paper, a daguerreotype is not flexible and is rather heavy, with a mirror-like surface. Among the colorful characters immortalized in the colorless daguerreotype medium are (below, clockwise from upper left): writer Henry Thoreau, Seneca leader Blacksnake, Navy Commodore Matthew Perry, mental health crusader Dorothea Dix, showmen P.T. Barnum and Tom Thumb, and actress Charlotte Cushman (Image via the National Portrait Gallery)
Diptych A diptych is an artwork consisting of two pieces or panels, that together create a singular art piece these can be attached together or presented adjoining each other. In medieval times, panels were often hinged so that they could be closed like a book and the artworks protected.
Danish Modern Danish modern is a style of minimalist furniture and housewares from Denmark, embracing the principles of Bauhaus modernism in furniture design, creating clean, pure lines based on an understanding of classical furniture craftsmanship coupled with careful research into materials, proportions and the requirements of the human body. With designers such as Arne Jacobsen and Hans Wegner and associated cabinetmakers, Danish furniture and housewares thrived from the 1940s through the 1960s.
Demi-parure A Demi-parure is a set of matching jewelry that is designed to be worn together, though fewer than a full set or parure. The term dates from the second half of the 16th century. Traditionally, when a parure involved six or seven pieces, a demi-parure was a three-piece suite of (usually) a necklace, earrings, and a brooch or bracelet; however, in the early 20th century, the term “parure” began to refer to just a trio of coordinating items, and a demi-parure was similarly downscaled to refer to any two matching pieces.
Cabriole refers to a popular furniture leg with the knee curving outward and the ankle curving inward terminating in an ornamental foot. It is commonly associated with Queen Anne and Chippendale styles of antique furniture. When used with Chippendale furniture, the cabriole leg commonly terminates with a ball and claw foot. In Queen Anne examples, the pad foot was popular, but other foot styles were used with these legs as well.
The caquetoire, or conversation chair, was an armchair style which emerged during the European Renaissance. It was largely used in France and is one of the most well-known pieces of furniture from the French Renaissance. Due to fashions of the time and the lack of heating systems in homes, women wore several layers of skirts and petticoats to keep warm. This often prevented them from fitting comfortably into armchairs with rectangular seats. A caquetoire seat is splayed so women in their large skirts could easily sit.
A cameo is a material that is carved with a raised relief that often depicts a profile of a face or a mythical scene. Cameos are commonly made out of shell, coral, stone (often agate or onyx), lava, or glass. The most common motif of antique cameo jewelry depicts a profile of a face or mythical creature. There are typically two colored layers; generally, figures are carved in one layer so that they are raised on the background of the second layer. England’s Queen Victoria is credited with popularizing shelled cameos in the 19th century.
A cellarette or cellaret is a small furniture cabinet, available in various sizes, shapes, and designs (and sometimes portable) which is used to store bottles of alcoholic beverages, as well as decanters and glasses. Prohibition in the United States brought about variations of trompe l’oeil cellarettes designed to conceal illegal alcoholic beverages. To the casual observer, the three dimensional trompe l’oeil artwork on these cellarettes made them appear to be an ordinary table, bookcase, or other piece of furniture.
Italian for “light-dark,” chiaroscuro is the use of strong contrasts between luminosity and shadow to achieve a sense of volume and dimensionality. This unique technique was developed during the Italian Renaissance by Leonard da Vinci, the Baroque period by Caravaggio, and the Dutch Golden Age by Rembrandt.
In sculpture, contrapposto (“counterpose” in Italian) is an asymmetrical posture in which most of a figure’s weight is distributed onto one foot. This results in a realistic stance, as famously evident in Michelangelo’s David statue.
Color Field painting is a style of abstract painting that emerged in New York City during the 1940s and 1950s. It was inspired by European modernism and closely related to abstract expressionism, while many of its notable early proponents were among the pioneering abstract expressionists. Color field is characterized primarily by large fields of flat, solid color spread across or stained into the canvas creating areas of unbroken surface and a flat picture plane. The movement places less emphasis on gesture, brushstrokes and action in favor of an overall consistency of form and process. In color field painting “color is freed from objective context and becomes the subject in itself.” Artists who are considered part of the Color Field style include Mark Rothko, Clyfford Still, Helen Frankenthaler, Barnett Newman, Robert Motherwell and Frank Stella.
Cloisonné is decorative work in which copper filaments are glued or soldered to a metal surface—gold in the Near East, bronze or copper in China—to create tiny compartments, or cloisons, that are then filled with ground glass blended with metallic oxides to produce colorful enamels.
From the French word for “cracking”, craquelure describes a pattern of fine cracks on the surface of a painting or a ceramic object. In an oil painting, craquelure forms because the paint dries and becomes less flexible as it ages and shrinks. It can be used by experts to determine the age of a painting and to detect forgeries.
Bauhaus – which literally translates to “construction house” – is a school of design established in Weimar in 1919 by Walter Gropius, moved to Dessau in 1926, and closed in 1933 as a result of Nazi hostility. At the core of Bauhaus lies the idea of the “Gesamtkunstwerk”, a synthesis in which multiple art forms are unified through architecture. A building was not just an empty vessel for the Bauhaus school, it was one element of the total design, and everything inside added to the overall concept. Influenced by movements such as Modernism and De Stijl, and as a counter-movement to the Art Deco and Art Nouveau styles; Bauhaus artists favored linear and geometrical forms, while floral or curvilinear shapes were avoided. Only line, shape and color mattered. Anything else was unnecessary and needed to be reduced.
Belle Époque literally means “Beautiful Age” and is a name given in France to the period from roughly the end of the Franco-Prussian War (1871) to the start of World War I (1914). It was so named in retrospect, when it began to be considered a “Golden Age” in contrast to the horrors of World War I. The industrial output of France tripled during the Belle Époque, thanks to the continued effects and development of the industrial revolution. Mass entertainment was transformed by venues like the Moulin Rouge, home of the Can-Can, by new styles of performance in the theater, by shorter forms of music, and by the realism of modern writers. Print, long a powerful force, grew in even greater importance as technology brought prices down still further and education initiatives opened up literacy to ever wider numbers.
A bergère is an enclosed upholstered French armchair or fauteuil with an upholstered back and armrests on upholstered frames. Designed for lounging in comfort, a bergère in the eighteenth century was essentially a meuble courant, designed to be moved about to suit convenience, rather than being arranged permanently and formally along the walls as part of the decor.
The Biedermeier style in art was a transitional period between Neoclassicism and Romanticism, as it was interpreted by the bourgeoisie, particularly in Germany, Austria, northern Italy, and the Scandinavian countries. Biedermeier furniture derives essentially from the Empire and Directoire styles; with remarkable simplicity, sophistication, and functionality. Stylistically, Biedermeier furniture softened the rigidity of the Empire style and added weight to Directoire. Biedermeier pieces were executed in light, native woods and avoided the use of metal ornamentation. Surfaces were modulated with natural grains, knotholes, or ebonized accents for contrast.
The Bloomsbury Group – or Bloomsbury Set – was a group of associated English writers, intellectuals, philosophers and artists in the first half of the 20th century, including Duncan Grant and Vanessa Bell, Virginia Woolf, John Maynard Keynes, E. M. Forster and Lytton Strachey. They lived, worked or studied together near Bloomsbury, London and were united by an abiding belief in the importance of the arts and the rejection of bourgeois habits. A well-known quote about the Bloomsbury Group, attributed to Dorothy Parker, is “they lived in squares, painted in circles and loved in triangles”.
A bouillotte is an 18th century table lamp with two or three adjustable candle brackets and a common shade that would slide down a central shaft and be secured by a screw to accommodate the dwindling length of the lit candles.
A briolette is an elongated pear-shaped gemstone cut with facets, and it is often drilled to hang as a bead. It was popular during the Victorian times. The Smithsonian has a 275-carat diamond briolette necklace presented by Napoleon Bonaparte in 1811 to his Empress consort Marie Louise (below).
Brutalist architecture, or New Brutalism, is an architectural style which emerged during the 1950s in Great Britain, among the reconstruction projects of the post-war era. Brutalist buildings are characterized by their massive, monolithic and blocky appearance with a rigid geometric style and large-scale use of poured concrete. Brutalist furniture, lighting and wall sculptures often have hard edges, jagged shapes, rough surfaces, patinated finishes, asymmetrical organic designs, and metallic color palettes.
Buffet à deux corps
This type of furniture literally translates to “buffet with two bodies”. It’s often an ingenious combo of storage and display case. Since it could easily be split apart it was very easy to transport or travel with and deliver into homes through the typical narrow doorways of past centuries.
Abstract expressionism refers to new forms of abstract art developed by American painters such as Jackson Pollock, Mark Rothko and Willem de Kooning in the 1940s and 1950s. It is often characterized by gestural brush-strokes or mark-making, and the impression of spontaneity. It was the first specifically American movement to achieve international influence and put New York City at the center of the western art world, a role formerly filled by Paris.
Barnet Newman, another artist associated with the movement, wrote:
“We felt the moral crisis of a world in shambles, a world destroyed by a great depression and a fierce World War, and it was impossible at that time to paint the kind of paintings that we were doing—flowers, reclining nudes, and people playing the cello.”
Aestheticism (or the Aesthetic Movement) is a late 19th-century European movement which centered on the doctrine that art exists for the sake of its beauty alone, and that it does not need to serve a political, didactic, or other purpose – “art for art’s sake”. More than a fine art movement, Aestheticism penetrated all areas of life – from music and literature to interior design and fashion. Key figures include artists Dante Gabriel Rossetti, Edward Burne-Jones and James McNeill Whistler, author Oscar Wilde, poet Algernon Charles Swinburne. Aesthetic style furniture is characterized by several common themes: ebonized wood with gilt highlights, a Far Eastern influence, a prominent use of nature, especially flowers, birds, ginkgo leaves, and peacock feathers.
The acanthus leaf is a popular architectural design element in Ancient Greek architecture. It was first used on capitals, or tops, of Corinthian columns. Its design is a stylized version of a Mediterranean plant with jagged leaves known as Acanthus Spinosus. The Romans continued to use acanthus leaves in decoration, and many cultures followed suite in using this classic decorative motif, including Byzantine, Romanesque, and Gothic traditions. With the neo-classical revival in England in the eighteenth century, the acanthus leaf became a prominent feature in art once again: everyone from Thomas Chippendale to Robert Adam incorporated the acanthus leaf into their furniture designs, often featuring the acanthus leaf on the knees of chairs, friezes of tables, and stems of legs.
The Anthemion (or Palmette) is a motif in decorative art consisting of a number of radiating petals or leaves which resembles the fan-shaped leaves of a palm tree. It is found in most artistic media, but especially as an architectural ornament, whether carved or painted, and painted on ceramics. It is very often a component of the design of a frieze or border.
Art Deco, or simply Deco, is a style of visual arts, architecture and design that first appeared in France just before World War I. Art Deco influenced the design of buildings, furniture, jewelry, fashion, cars, movie theaters, trains, ocean liners, and everyday objects such as radios and vacuum cleaners. It took its name – short for Arts Décoratifs – from the Exposition internationale des arts décoratifs et industriels modernes held in Paris in 1925. It combined modern style with fine craftsmanship and rich materials.
The Arte Povera (literally “poor art”) movement took place between the end of the 1960s and the beginning of the 1970s in major cities throughout Italy and above all in Turin. The word “poor” here refers to the movement’s signature exploration of a wide range of materials beyond the traditional ones of oil on canvas, bronze, or carved marble. Materials used by the artists included soil, rags and twigs. In using such throwaway materials they aimed to challenge and disrupt the values of the commercialized contemporary gallery system. Among the leading Arte Povera artists were Giovanni Anselmo, Alighiero Boetti, Pier Paolo Calzolari, Jannis Kounellis, Mario Merz, Marisa Merz, and Michelangelo Pistoletto.
Created by the Asscher Brothers of Holland’s Asscher Diamond Company (now the Royal Asscher Diamond Company), this diamond cut features large step facets and a high crown that produces a brilliance unlike any other diamond shape. In fact, diamond experts often refer to the shine and sparkle of an Asscher cut diamond as “an endless hallway with reflective mirrors”.
The most famous Asscher-cut diamond of all was worn by the late Hollywood legend Elizabeth Taylor. The story goes that Richard Burton bought the 33.19ct Krupp Diamond for the actress after she beat him at a game of table tennis. The diamond was previously owned – and named after – Vera Krupp, who was part of the Krupp dynasty that supplied arms to the Nazis during the Second World War. Burton bought the diamond for $385,000 in 1968 and Elizabeth later remarked in an interview: “When it came up for auction in the late 1960s, I thought how perfect it would be if a nice Jewish girl like me were to own it.”
Assemblage is an artistic form or medium usually created on a defined substrate that consists of three-dimensional elements projecting out of or from the substrate. Think of it as the three-dimensional version of a collage. In 1961, the exhibition “The Art of Assemblage” was featured at NYC’s MOMA. The exhibition showcased the work of early 20th-century European artists such as Braque, Dubuffet, Marcel Duchamp, Picasso, and Kurt Schwitters alongside Americans Man Ray, Joseph Cornell, Robert Mallary and Robert Rauschenberg.
An athenienne is a small, decorative stand in the form of an antique tripod, used especially in France (often in pairs) in the Louis XVI and Empire periods. The multi-purpose athénienne was intended for entertaining in the salon or boudoir, including pedestal table, perfume burner, heater (for coffee, tea, or chocolate), a planter to grow bulbs in the winter etc.
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Then join our team for the 2022 San Francisco Fall Show, the longest running art, antiques and design fair on the West Coast, renowned and respected across the globe and an integral part of the San Francisco Bay Area’s art and design communities.
The San Francisco Fall Show and the Fine Arts Museums of San Francisco (FAMSF) are thrilled to announce an exciting affiliation. FAMSF will be the new beneficiary of the legendary Opening Night Gala, which will be held in person in 2022 at Fort Mason. This will also mark the 40th anniversary of the San Francisco Fall Show, the longest running art, antiques and design fair on the West Coast, renowned and respected across the globe and an integral part of the San Francisco Bay Area’s art and design communities.
FAMSF oversees two unique museums—the de Young in Golden Gate Park, showcasing priceless collections of American art from the 17th through the 20th centuries, textile arts, and art of Africa, Oceania, and the Americas, and the Legion of Honor in Lincoln Park, whose collections include European decorative arts and paintings, ancient art, and one of the largest collections of prints and drawings in the country. The FAMSF mission is to connect visitors with local and global art in order to promote their knowledge of and curiosity about the past, deepen their engagement with the art and ideas of today, and stimulate their creative agency in their own futures.
San Francisco Fall Show Chair Suzanne Tucker, the driving force behind this partnership, declares: “I am delighted the show gala will be supporting our beloved museums and honored to be working with the extraordinary FAMSF team. This new relationship is written in the stars – a natural synergy between the pre-eminent antiques and art fair on the West Coast and the FAMSF world class museums. This collaboration will elevate and enhance the outreach of both organizations, resulting in an unparalleled celebration of art, antiques and design.”
“We are pleased to partner with the San Francisco Fall Show and thank them for their commitment to the arts and our mission” states Thomas P. Campbell, Director and CEO of the Fine Arts Museums of San Francisco. “With their support, we invite the Bay Area community to engage with the art and ideas of our time through a multitude of inspiring exhibitions, public programming, and education initiatives presented at the de Young and Legion of Honor in 2022.”
Last week, Neiman Marcus in San Francisco hosted a cocktail event to celebrate their recently revamped and quite impressively enlarged home/tabletop fifth floor. To mark the occasion, a few select members of the San Francisco Fall Show Designers and Artisans Circle were invited to create a special table setting using Neiman Marcus’ dinnerware, flatware and glassware. In addition, San Francisco Fall Show dealers epoca and Garden Court Antiques contributed one-of-a-kind antiques, and Flowers Claire Marie provided the breath taking floral arrangements. The result was nothing less than spectacular. A table!
By Vera Vandenbosch